“First the colours.
Then the humans.
That’s usually how I see things.
Or at least, how I try.
Here is a small fact:
You are going to die.”
I told myself that I will never again, if
the story proves cleverly whimsical, watch a movie adaptation before reading
the book that inspired it, yet today I broke that personal bond with myself,
and it resulted rather well.
After watching a copious amount of movies,
I have found that none have impacted on me so much as The Book Thief. Narrated
by ‘Death’, The Book Thief tells a daunting tale about how humans are scarier
than Death itself, and how instead of fearing our demise we must fear what we
are capable of. It features the juxtaposition of how Hitler used words to defy
his followers, to how Liesel Meminger, the thief of books herself, used the
words she had learnt to care for the miniscule amount of mentally wounded
nation within Germany, which would form itself in a bomb shelter each time an
air raid was called.
The story had captivated me from the very
moment I knew that the narrator was ‘Death’ – I have not yet witnessed any
stories narrated by the sort, and this was an excitable view of a story –
however, the point of view of Death was not what I had anticipated. Death was
weary with his constant taking of lives, however upon finding Liesel his view
of humans changed – he found colour in his taking of life, and instead of
sticking to his solemn job, he began to focus on Liesel and her journey,
nurturing her in his eyes.
I felt a warmth within me knowing of Rudy
Steiner’s love for Liesel. It felt so real and true, that love may occur at
first glance and may last until the final glance. I admire how realistic the
depiction of loss in the film is too, how it ends rather smoothly without
exaggerating lives, and with abiding by the one underlining term which
circulates around our lives here, that the fact is that we will all die, we
just have to be sure that we live a little before it happens. And in her
moments of living, Liesel showed Death that life is full of colour, despite how
bland her surroundings were.
And that is what hit me – life is full of
colour. We see Death progress from focusing on his uncoloured lifestyle, and
how he became to know that colour is warm on his very soul. And it occurred to
me, that most of us have not yet seen the colour in our predominantly uncoloured
lives – that is because we mostly focus on the lack of colour alone, while
colour stands there tapping at our souls’ windows, beckoning us to realize its
existence, that it has always been there and wants to be noticed.
We all focus on what we want, what we want
to work for, and what we will get in working for what we want, when none of us
focus on what we actually have. In fact, in most cases, the things that people
have turn out to be what people truly need. The Book Thief has taught me that –
that in wanting to read the book before watching the movie, while I have had
the movie waiting for me, I have learnt that I could just watch the movie first
then read the book – there is no constitutional law against doing so, and my
dignity is not in any way harmed. I am still me, and I am at no loss, in fact I
am at a gain – I have gained a deeper interest in wanting to read the book.
In all seriousness though, what I am trying
to say is do not look for something not waiting to be found. Surround yourself
by what you currently have, and focus more on the colourful things in your
life. I am an aspiring novelist, but I am nowhere near forming a great idea
that can be written. That does not mean I am looking at the colourless side of
this, I am looking at the colourful side, in that I have several ideas plotted
down and at different stages I add to them, who knows, perhaps one day I will
have an idea so grand it will be ready to grow bigger.
I thank you, Markus Zusak, for restoring
the colour in my life, and helping me approach the reality of things in a more
realistic manner. I look forward to acquainting myself with the textual
character of Liesel Meminger, the book thief who stole my heart.
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